Concerts

When Less is More – Handel in Olympia

by Karine Hetherington

In early December, the beginning of the Christmas season, I attended a unique performance of Handel’s Messiah in the newly-refurbished Pillar Hall, Olympia. The modest red-brick building of Italianate design hugs the vast exhibition halls of Olympia. With a 250 seating capacity, it is an ideal venue for what was to be an intimate rendering of Handel’s masterpiece. Continue reading “When Less is More – Handel in Olympia”

Concerts

Handel Comes To Olympia

by Karine Hetherington 

Originally an Easter offering, Handel’s Messiah was first performed in Dublin’s Musick Hall, Fishamble Street, on April 13th 1742. By all accounts it was an incredible event. Handel was famous by then and there was a rush to get seats. In order to create more room, women in the 700-strong audience, were asked to come “without hoops”.

The Messiah remains popular to this day and it is easy to see why. Handel’s oratorio is such an uplifting, sublime, immersive work. One which is guaranteed to put you in the mood for celebrating Christmas.  

I met up with Miles Lallemant, KOFMA’s musical director, and Laura Lamph, mezzo soprano and KOFMA curator, to discuss our upcoming production of the Messiah. Continue reading “Handel Comes To Olympia”

Musicians

Interview With Jeremy Summerly, Conductor

by Karine Hetherington

Karine interviewed conductor Jeremy Summerly in preparation for KOFMA’s ‘Come and Sing’ event on Saturday 10th November. We will be singing Haydn’s ‘Mass in the Time of War’ to commemorate the armistice. 

What does the Armistice mean to you?

I have a picture of my grandfather in my study. I look at it every day. He is going off to war with a pair of shoes he had made for himself. He was from Northamptonshire.  The story goes that he was a commander in France and that knowing his younger brother to be there too, asked him to join his battalion. My great uncle was only sixteen and like so many others, he had lied about his age so that he could enlist. He was killed on the train he took to meet up with my grandfather. My grandfather never got over his younger brother’s death. Continue reading “Interview With Jeremy Summerly, Conductor”

Concerts, Musicians

Grand Day Out For Four In Chelsea: An Interview With Four Lallemants

by Karine Hetherington

On Saturday October 6th 2018, The Lallemant Quartet will perform a piano extravaganza at St Luke’s Church, Chelsea.

Karine Hetherington caught up with three of the sibling pianists: Miles, Oliver and Lydia Lallemant.

You’re going to be performing on four grand pianos. That’s quite a feat!

Oliver: We’ve done this before. The first time was in 2011, seven years ago. But then it was out of necessity! I had to hire two extra pianos for a concert I was directing and I needed to recoup the cost of piano hire. I therefore organised an ad hoc event the night before the main concert and got my three siblings to play with me. We got our money back but I have to admit that our first foray wasn’t much good. However it was a start and we got a taste for it. Since then we have had much more concert practice! Continue reading “Grand Day Out For Four In Chelsea: An Interview With Four Lallemants”

Concerts, Musicians

Music For Five Winds: An Interview With The Atéa Quintet

by Karine Hetherington

Karine went down to the South Bank to meet the internationally acclaimed Atéa Quintet. Three of the members were able to make it: horn player Chris Beagles; clarinettist Anna Hashimoto; and oboe player Phillip Haworth.

Three out of five of you are here. Who’s missing?

Chris: Alena, our flute player, is unfortunately sick, and our bassoonist Ashley is working in New York.

Which begs the question: How easy is it to play as a quintet? How do you fit it into all your other musical commitments?

Anna: It is a challenge but we have played together for nearly nine years now. That means every time we come together, we blend instantly. We know how each one of us plays. Everything is really natural. Continue reading “Music For Five Winds: An Interview With The Atéa Quintet”